読み物カテゴリ： ‘文化・芸術論’
The artistically flowing and graceful movements of ballet precisely performed with tones (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ The artistically flowing and graceful movements of ballet precisely performed with tones (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Salubrious or insalubrious (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Salubrious or insalubrious (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Penetration extraordinarily penetrates penetration. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Penetration extraordinarily penetrates penetration. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Tell yourself radiantly, “Example is better than precept.” (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Tell yourself radiantly, “Example is better than precept.” (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
A barking dog seldom bites. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ A barking dog seldom bites. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
A castle in the air (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ A castle in the air (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
The power of self-intoxication (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ The power of self-intoxication (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
The ultimate in humanity (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ The ultimate in humanity (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Delusion or reality (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Delusion or reality (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Base gives you all you need. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Base gives you all you need. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
