読み物カテゴリ： ‘文化・芸術論’
Are you pessimistic or optimistic in your interpretation? (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Are you pessimistic or optimistic in your interpretation? (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
The question is to be fiercely one of the lunatic fringe or not. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ The question is to be fiercely one of the lunatic fringe or not. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Justice is different from justification. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Justice is different from justification. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
The necessity of moderation (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ The necessity of moderation (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
There is the truth in you internally. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ There is the truth in you internally. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
“Recitative-style lecture”・・・総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」
総合芸術としてのオペラを講じる「生井利幸の講義のメカニズム」は、以下の如き「三段階のステージ」に分類されます。
＜第１ステージ＞
オペラ鑑賞に入る前の”事前準備学習”として、オペラに関する具体的内容について、無音の状態で「特殊講義」を行う。
＜第２ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、その都度、その場で音楽を止めて、無音の状態で「特殊講義」を行う。
＜第３ステージ＞
オペラを鑑賞中、注目するストーリーに入ったとき、生井利幸自身もストーリーの中に入り、楽器の演奏、及び、オペラ歌手の歌声・歌い方・イントネーション、間の取り方などと”同時調和”させ、即興で（台本無し、即ち、講義原稿無しで”即座に”）、”Recitative-style lecture”（lecture dramatized in the opera)を行う。
補足：
生井利幸は、第１ステージ、及び、第２ステージにおいても、講義原稿無しで「特殊講義」を行います。
Eventually, true love remains forever. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Eventually, true love remains forever. (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
Renouncement of ego (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ Renouncement of ego (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
You cannot taste the same water, again.・・・美学として捉える「仏教・禅宗における無常観の美しさ」
英語音声講義
⇒ You cannot taste the same water, again.（英語音声講義）
このたびの英語音声講義は、仏教・禅宗における「無常観の美意識」を英語で表現した”ポエティックな講義”です。表現する言語が西洋の言語（英語）でも、仏教の無常観について、美しく表現することができます。
読者の皆さん、是非、部屋のライトを消して、無常観の美意識を満喫してください。
It is absolutely beautiful to romantically feel “a sense of transiency” in the dark. Buddhistic beauty supernaturally surpasses description.
How do you listen to a song, “serenade”? (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
■Recitative-style lecture （”lecture dramatized” in the opera）
⇒ How do you listen to a song, “serenade”? (recitative-style lecture in Le Nozze di Figaro, K.492 composed by Wolfgang Amadeus Mozart performed by Toshiyuki Namai)
